They had just gotten out and we were doing our scene, and they saw that Adam Sevani was walking with me, towards them, and they just lost it.
I remember the very first scene we acted with each other, we were right next door to a middle school. GUZMAN: Adam is an interesting kid, that’s for sure. What have you enjoyed about working with Adam Sevani? Moose has become one of the fan favorite characters from the films. It wasn’t hard or anything, but it was just about having fun. In the choreography, there are a lot of dances that are late ‘80s/early ‘90s that everyone will recognize from doing them at a wedding or a celebration, of some sort. It’s a good-feeling dance number with good music. It’s just me and Briana, and we’re doing a throwback groove. GUZMAN: Yeah, it was the dance number I did with Briana. Is the dancing easier, once you’ve already done a Step Up movie, or is it as big of a challenge each time?ĭo you have a favorite dance sequence in the film? I had to fight through it and keep on dancing on it, just because I wanted to do as much as I could for the movie. I actually tore my left tendon in my knee, doing my own stunts. So, we hired people from Europe to come in and do that certain move, and they made it look amazing. There was no rehearsal time, and there was not enough time to actually go over that move. I am usually proud that I do my own stunts, but there’s a move towards the end of the film, between me and Briana, that I couldn’t do. Everything you see is completely real, aside from one trick. GUZMAN: There are no special effects in the movie. Can you attest to the fact that the dancing is all real? The dancing in these movies is really awe-inspiring, gravity-defying and almost otherworldly, in a lot of ways, and because of that, people think there must be trickery and special effects involved.
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